Per a guitarra. Per a dues guitarres

Conté: Guitarcosmos 1 : Sixths and suspensions ; Melody and arpeggios ; Simple scales ; Simple arpeggios ; Melody in B flat ; Sixths and thirds ; Melody in Flats (partial barré) ; Two melodies in tenths ; Imitation and Counterpoint ; Imitation reflected ; Eight little canons ; Three- part Chorale ; Four chromatic melodies ; Melody on sixth string only ; Arpeggio exercise ; Left - hand Legato, 1 and 2 ; Trills ; Three arpeggio studies ; Bass melody with accompaniment ; Cum jubilo (from a plainsong) ; Tenths with suspensions ; Canto ; Aeolian Mode ; Simple serial melody (Webern series, Op. 17) ; Atonal melody (after Schoenberg, Op. 23) ; In the fifth position ; Country dance ; Triplets ; Tenths ; Artificial harmonics ; Whole- tones in octaves ; Chorale and variants ; Berceuse (whole-tone scale) ; Echo piece ; Four duos "Fons Bonitatis 3" (from a plainsong) (: Chromatic road ; Canto (Pentatonic Mode ; Winter song for two guitars (Pentatonic mode)). Guitarcosmos 2 : Sixths ; Arpeggio study ; Repeated semiquavers ; Four- part chords ; Left - hand slurs ; Tremolo ; Bitonal canon ; Natural harmonics ; Tremolos ; Fifth and sixth strings only ; Arpeggios in parallel ; Suite No. 1 ( Organum ; Arpeggiato ; Canto ; Danza) ; Suite No. 2 ( Glissando and Barré ; De Angelis (from a plainsong) ; Wandering tonalities ; Chromatics) ; Duo - Counter - parallelisms in fourths and fifths ; Duo - Canzona ; Serenata ; Suite No. 1 for two guitars (Cantilena ; Chaconne). Guitarcosmos 3 : The harp of David ; Suite in three movements (The dark earth ; Night immobile ; Festa rossa) ; Threes and fives ; Tone and semitone arpeggios ; Artificial harmonics - chromatic (Webern series, Op. 17) ; Ostinato ; Ricordo di Luigi Dallapicola ; Three inventions (To John cage ; Percussion piece ; Chance flight) ; Duo - graffiti nel cielo scuro ; Epitaph for two guitars ; Notturno for two guitars ; Three sketches for two guitars.